Courtesy of the artist. Photo by Etienne Frossard. . Winner of the 2021 Pulitzer Prize for Poetry, Natalie Diaz's Postcolonial Love Poem is a powerful collection of ecopoetry that forefronts the interconnectedness of humans, animals, land, and water. Study with Quizlet and memorize flashcards containing terms like Who wrote "The First Water is the Body"?, Natalie Diaz is a member of what American Indian tribe?, What does Diaz claim about being Native American? The speaker points out that ___________________ has the right answer, and it will take a lot of work in the US to recognize the importance of water. Part I begins with Blood-Light, in which Diaz writes of her brother experiencing an episode of delusional thinking and attempting to stab her and their father. Natalie Diaz is a member of what American Indian tribe? It blows my mind. Natalie Diaz (Mojave/Akimel O'odham) believes words have . The Kinetic Poetics of Sherwin Bitsui, Natalie Diaz, Allison Adelle Hedge Coke, and Layli Long Soldier. Natalie Diaz's "The First Water Is the Body". "I am doing my best to not become a museum of myself. Whose identity is highlighted in the text, and what does the text suggest about alienation and our contemporary reality? I consider it a moving thing. The speaker poses the issue of water as not just a practical concern but also a ____. To that end, you must quote from the text at least two times (in correct MLA format) and explain the relationship between the text and the concepts of identity and alienation. And there is no missing the potential for harm: We touch our bodies like wounds. Other poems are sexily devotional. A visual complement to Diazs text, the work in this exhibition accepts the body as the human form of water and that the fate of water is the fate of all people. In the long prose-poem, "The First Water is the Body": Back to the body of earth, of flesh, back to the mouth, the throat, back to the womb, back to the heart, to its blood, back to our grief, back back back. in the millions? I'm doing alriiiiiiiiiiiiiiiiiiiiight in my body and my soul. a labor, and its necessary laborings. 12/16/2019. Others move beyond sex and desire, questioning how romance is marred by the colonisers gaze. 17. First, I discuss how her poem 'The First Water is the Body' engages with the Mojave endonym, translating a 'pre-verbal' understanding that the . Often, these are the moving hands of a lover. In . Assume cash flows after year $4$ will grow at $3 \%$ per year, forever. All of you is there, to be seen, to see. In These Hands, If Not Gods, Diaz imagines her hands moving over her lover as similar to God's hands when he created the world. Featuring the work of 16 electric and unapologetic makers that belong to and operate in relation with . On the American side, the indigenous and Hispanic American poet, Natalie Diaz and her sequence: The First water is the Body from her new book Post Colonial Love Poem which I have featured in two previous posts. When was Diaz's second book of poetry published, and what was its title? Bay Properties is considering starting a commercial real estate division. I am doing my best to breathe in and out. . The following version of this book was used to create this study guide: Diaz, Natalie. Diaz wrote "The First Water is the Body" in response to what? Diaz is going back to her peoples creation myths, the oral traditions and back to the source of poetry: just as every river has its source. But a poem can just as finely encapsulate a scene, as Natalie Diaz shows us here. F rom January through September of 2017, the poets Natalie Diaz and Ada Limn conducted an inspired and collaborative correspondence. Paperback, 10.99. Not to perform One way of forgetting: Discover them with City. Natalie Diaz was born and raised in the Fort Mojave Indian Village in Needles, California, on the banks of the Colorado River. They say that every book teaches the writer something new about themselves and their writing. A dangerous way of thinking lately is that we love as resistance. This collection is suffused with poems about romantic, erotic love. Sit or stand silently, one exhibit instructs. Likewise, Diazs ascription of familial relation (sister, mother) and emotional capacity (my own eye when I am weepingmy desire when I ache) to the river recuperates the ecological potential of pathetic fallacy while insisting upon the recognition of a fully animate, vibrant, and interconnected world. / In the stillness breathe in the river moving inside you. Here, river is a verb as well as a nounand this dual usage of the word as both active feeling and locatable place further clarifies how my hands might simultaneously be in the river and be the river. Postcolonial Love Poem. PRINT. Postcolonial Love Poem Summary & Study Guide includes comprehensive information and analysis to If this sounds like magical realism, its only because Americans prefer a magical Indian. Postcolonial Love Poem by Natalie Diaz is published by Faber (10.99). What did the federal courts do in response to the tribes' efforts to gain legal protections? I know the Baldwin quotes you are referencing, and the other sentences and ideas they are couched in, and I turn to Baldwin because he reminds me of both my past, my peoples pasts, and also what none of us can yet imagine of our future. The sheets are berserk with wind's riddling. I am your Native, writes Diaz, and this is my American labyrinth.. Natalie Diaz offers a way to think about a path to survival in her work. Copyright by Natalie Diaz. Conveying clear ideas through crisp, dazzling images, Diazs poems typically unfold in long lines grouped into short stanzas. The Mojave and Latinx poet, up for this years Forward prize, is on breathtaking form in this intellectually rigorous collection exploring love and identity. Time and again, these poems return to handshands that love and caress, but also hands that wound and hurt. 1978. The first-person speaker identifies as a _____________, stating that the tribe considers themselves as __________________. Or coyotes. As a prose poem, "The First Water is the Body" reads more like an ____________________ than a ___________________. When the world needs so many things and all I have to offer are poems. She sympathizes with his mental health issues and imagines he has good intentions despite his violent threats. The first-person speaker identifies as a _____________, stating that the tribe considers themselves as __________________. Its also an integral part of our own natureas necessary to the body as air and water. Water will not forget what we have done because our bodiesliving, suffering, dyingwill not forget it either. Courtesy of the artist. We learned to make guns of our hands, she writes in RunnGun, and we pulled the trigger on jumpers all damn day. In The Mustangs, we join ten-year-old Diaz in the rattling bleachers of the Needles Mustangs gymnasium, AC/DCs Thunderstruck blaring in the background, to watch young kings and conquerors as they made layup after layup, passed the ball like a planet between them, pulled it back and forth from the floor to their hands like Mars.. Which river does Diaz say is the most endangered in the USA? Find the selling prices that maximize profit. A dust storm . Diaz wrote "The First Water is the Body" in response to what? The First Water Is the Bodyinstallation image. Amidst its considerable humor, Top Ten Reasons Why Indians Are Good At Basketball (1. water and land, with the body being simply an extension of the earth and water. (LogOut/ While there are few long poems more captivating than Alice Oswalds Dart:a hymn to a river and the life around it. 2021 Pulitzer in Poetry, LGBT person, native, color not welcomed in the society Colorado River:-Reinventing the enemy's language . His research and teaching focus on early and nineteenth-century American literature, Native American literature, poetry studies, and the environmental humanities. Humanity is parched, poetry quenches. The collection is jewelled throughout with Native American words and stars and semi-precious stones there is an ongoing phosphorescence to the writing. That for the duration of the writing, and even reading others poems, I am in a space of pleasure, out of time, beyond what this country can do to me. In her latest collection, Postcolonial Love Poem, Natalie Diaz brings us the body in the form of bodies so rarely sung by, so rarely seen by, our dominant culturebodies brown-indigenous-Latinx-poor-broken-bullet riddled-drug addicted-queer-ecstatic-light drenched-land merged-pleasured-and-pleasuring.She brings us not only the human body, but that of the desert-river-rock-arroyo-dirt-and . How can I translate not in words but in belief that a river is a body, as alive as you or I, that there can be no life without it? Natalie Diaz. It is who I am. While in the United States, we are teargassing and rubber bulleting and kennelling Natives trying to protect their water from pollution and contamination at Standing Rock in North Dakota. She challenges the reader not to see the river-as-body as metaphor, but instead to accept that the fate of the river is the fate of all people: How can I translate not in words but in belief that a river is a body, as alive as you or I, that there can be no life without it?. We must go beyond beyond to a place where we have never been centre, where there is no centre beyond, toward what does not need us yet makes us.. When was Diaz's second book of poetry published, and what was its title? Emily Prez is a Ledbury Poetry Critic, a mentoring programme launched by Sandeep Parmar and Sarah Howe with Ledbury poetry festival and the University of Liverpool to tackle the underrepresentation of BAME poets and reviewers in critical culture. Natalie Diazs second collection plunges the reader into Native American culture and bold takes on sexual love. The following quote, from Diazs poem, is also a public information notice, but is vital to our understanding of what we need to do to avoid the river as ghost, the disused route to the sea. In Manhattan Is a Lenape Word, Diaz describes the loneliness and sadness she feels while contemplating the Native American lives lost due to genocide and the ongoing violence and marginalization against Natives by the U.S. government. In Ink-Light she describes desire through a scene in which she is walking through a snowy evening with her lover. I have learned love is a shifting type of luck and abundance, a thing my people, my family, my mother, cultivated in the desert. water and land, with the body being simply an extension of the earth and water. In Run'n'Gun, she recalls learning to play basketball on the reservation as a child with her brother and cousin and other young people. Imagine, as Diaz says in "The First Water is the Body," that river is "a verb. and more. P-Point argument I-illstration/Quotion E- Explanation + how, why Postcolonial Love Peoems-Literature in Canada, India, etc.-We are between the Post and the colonial-For Natalie Diaz: 1.Love is gentel, more than relationship with people, use this term so clever 2. And on occasion, I snicker. In 2014, Energy Transfer announced plans for an oil pipeline from ________________ to ____________, at some point being built under the Missouri River. I am not a strong swimmer so I keep a respectful distance, but when I am not able to see one or hear one for a while I find I miss their quiet certainty, their sometimes motion-filled stillness and at other times their belligerence. Postcolonial Love Poem is also a prescient ecological jeremiad that links the genocidal impulses of U.S. settler colonialism directly to the visible and immediate emergencies of climate crisisour bleached deserts, skeletoned river beds, dead water. As Diaz writes in The First Water Is the Body, a poem which invokes both the crime of Flint, Michigan and the Native resistance at Standing Rock, North Dakota: We think of our bodies as being all that we are: I am my body. Queer love defies another myth: the heterosexual, nuclear family. Sign up for our newsletter and receive the coolest updates! Homeowners must make a determination of the total value of their furnishings. What does Diaz claim about being Native American? Natalie's mission to preserve . of her hips, how I numbered stars, the abacus of her mouth. Close your eyes until they are still. I learn something new about myself in most minutes. In They Dont Love You Like I Love You, Diaz writes: of clouds? On September 3, 2016 security officials attacked protestors with dogs and pepper spray. She sits helpless, as the water fell against my ankles, demonstrating that part of the project of what she calls postcolonial love is to remain open and empathetic in the space of devastation. 23. everything you need to sharpen your knowledge of Postcolonial Love Poem. You write that From the Desire Field and Isnt the Air Also a Body Moving were part of a series of letter poems you exchanged with Ada Limon? On Friday, April 30, Natalie Diaz will read and discuss her work at 7:30 pm PST. A river lends itself to narrative, it has the right shape, it allows digression and accumulation as it goes; it cuts through that which doesnt concern it and moves around that which it cannot reduce; it may rush incoherentas a Kerouac benny-freak or dawdle like a flaneur; not for nothing is Huck Flynn afloat on one, or does Conrad send us back up one to find madness lurking, rotting of itself, nor that the other side is a place of dread, and of course with Anna Livia PlurabelleJoyce portrayed the river and mind in flood. over the seven days of your body? I think that is love. During that time in Marfa, Natalie was frenetically busy, as her remarkable book of searing poems, When My Brother Was an Aztec, had won an American Book Award, and she was already working on material that would be in her second book, Postcolonial Love Poem . Postcolonial Love Poem is an extraordinary collection that continues the work of Diazs first book, When My Brother Was an Aztecin which she examines the erasure of Native voices, addiction and the legacy of trauma inherited from generations of genocide. Who was inspired to launch a grassroots environmental response and protest? \hline \text{Free Cash Flow} & -\$ 159,000 & \$ 14,000 & \$ 98,000 & \$ 221,000 \\ Water plays a particularly important role in Diaz's writing, with ________ and ___________ concerns permeating her texts. Original reporting and incisive analysis, direct from the Guardian every morning. It embodies erased tribes, individuals, land. What does Natalie Diaz's second book of poetry focus on? Newcastle Upon Tyne England It has prepared the following four-year forecast of free cash flows for this division: Donald Trump was inaugurated, and he reversed the Obama Administration's policies on DAPL. The Mohave expression of grief equates tears with ___, In "The First Water is the Body," the speaker equates Native American bodies with ____________. Download. the Twitter hashtag #NoDAPL" and the action group "ReZpect Our Water," with "Rez" being a reference of reservations. layered with people and places I see through. The book begins: "I've been taught bloodstones can cure snakebite, / can stop the bleedingmost people forgot this." . What was that project like exchanging poetry with a friend and how did it come to be? Diaz explores possession, makes us think about what it means to be possessed by a country, a lover, a river. It is a fascinating plunge into Diazs culture, especially in The First Water Is the Body, a long, defiant, breathtaking poem in which she shares the way she sees river and person as one: The river runs through the middle of my body. Water and its fate are also fused with the treatment of Native American people as exhibits from The American Water Museum states plainly: Let me tell you a story about water:Once upon a time there was us.Americas thirst tried to drink us away.And here we still are. Gracias . In The Mustangs, Diaz recalls the sense of freedom she felt while watching her brother's high school basketball team complete warm-up drills before a game. It's got wonderful bits of basketball, but it's also a clink in language and studying how you can use a colonized language to see around to some degree its condition or to see through it. Despair has a loose daughter. In Blood-Light, for example, its the hands of Diazs brothera familiar figure to readers of her debut book, When My Brother Was an Aztec (Copper Canyon Press, 2012)that mark his initial appearance in this collection: My brother has a knife in his hand. Maybe the question is not about difficulty, or at least I am less interested in what is difficult. Members of the Mohave tribe often repeat the phrase "Aha Makavch ithuum," which means, "The river runs through the middle of my body. For Diaz (who identifies as Mojave, Akimel O'odham and Latinx), the body's relationship to its environment is central, crucial, and bodies are often figured as . The resulting poem-letters reveal, as most missives do, their . \end{array} Cost: Free. With images that entwine the histories of American whiteness and American violencethe spilled milk, the clot of cloudsDiaz offers a palimpsestic vision of the United States as a place where settlers live on top of those of ours who dont. This is not simply another version of Faulkners oft-quoted maxim that the past is never dead, however, but a powerful exposure of the logic of elimination that Patrick Wolfe identifies at the center of settler colonialism itself: Settler colonialism destroys to replace., On one level, Diazs invocation of maps and their layers emphasizes the evidence of such eliminatory pursuits: think, for example, of the countless American places that adorn themselves with Indian names while simultaneously denying Native sovereignty claims. A thing thirsted for and yet capable of sating. what they say about our sadness, when we are Natalie Diaz's Postcolonial Love Poem is a plea to be visible. Natalie Diaz: Yeah. oilfields in northwest North Dakota to an oil hub in south-central Illinois. they saw a resemblance between the red hue of the river and the imagined redness of the natives' skin. This interview with poet Natalie Diaz is an excerpt from We Are the Middle of Forever: Indigenous Voices from Turtle Island on the Changing Earth, edited by Dahr Jamail and Stan Rushworth. In "The First Water Is the Body," She writes, "The . I do my grief work / with her body, Diaz writes, and we are rivered. This detailed literature summary also contains Quotes and a Free Quiz on Postcolonial Love Poem by Natalie Diaz. Part II begins with Asterion's Lament, in which Diaz describes her desire for her lover while comparing herself to the Minotaur from the Greek myth of Theseus. The desert is a place where you cannot hide from yourself. Natalie Diaz is a Native American, a member of the Mojave people, who traditionally resided along the lower Colorado River in what are now the U.S. states of Arizona and California, as well as Mexico. She grew up on the banks of the Colorado river and water is her element. 2013, When My Brother was an Aztec which won the American Book Award. Diazs river is of her and she is of it; it is a part of my body, she is talking about the Colorado River. $$ 2023, The Poetry Book Society. ('The First Water Is the Body') This is the colonisers' way of controlling, of exercising power and consequently exploiting other populations and/or ethnic . A gathering of artists, all of whom are Native women, presented written and musical pieces in honor of this land, its water, and the people working to protect it. Come, pretty girl. Learn more. ", When the Spanish encountered the Mohave, they gave the tribe the same name as the river because. We are fighters. Animals enter the house and two by two the fantastical beasts / parading him hijack Diazs control as sister and writer. In poems such as exhibits from the American Water Museum, Diaz also explores environmental racism, jumping in time and space from the protests against the Dakota Access Pipeline to the poisoned water of Flint, Michigan. It is real work to not perform Of all the loves in Postcolonial Love Poem, it seems as though it is, at last, this loveand this loverthat enable the transformation of the speakers complex grief into something new: When the eyes and lips are brushed with honey / what is seen and said will never be the same. Uniting many of Postcolonial Love Poems major images, Grief Work weaves its way through war, through melancholy, through hips and handsuntil it answers its own question in the affirmative: We go where there is love. The result is one of elemental metamorphosis and communion. She instructs and inquires; she mourns and rhapsodises. In her second collection, Postcolonial Love Poem (Graywolf Press), Natalie Diaz locates the body not simply in flesh and bone, but in land, water, myth, ritual, memory, in the space beyond language and speech. Reprinted by permission of the publisher. . When did violence in the protests erupt, and what caused it? She imagines throwing those who would level such slurs at Native Americans into the sea. Prepare journal entries to record the following. At 42, Arizona State University Associate Professor Natalie Diaz became the youngest chancellor ever elected to the Academy of American Poets, an organization founded in 1934 to support American poets and foster the appreciation of contemporary poetry. But the river is not just a location representing home. I am not loving against America or even in spite of it. This is not metaphor. like stories. Much has been written and said about Natalie Diaz's second collection, Postcolonial Love Poem. That most Native Americans exist in two worlds. Aha Makav. To the speaker, being able to defend water and convince others of its importance is an act of what? She is Mojave and an enrolled member of the Gila River Indian Tribe. As with language, so the body and hence the river. It was finished, and oil began flowing in May 2017. She explores this idea in "The First Water Is the Body," cataloguing the destruction of this invaluable resource by . in my body, yet my bodyany body wet or water from the start, to fill a clay, start being what it ever means, a beginning the earth's first hand on a vision-quest wildering night's skin fields, for touch . It is who I amThis is not a metaphor. Later, This is not juxtaposition. My Creator made us from clay, so that we might love this life, and this land.. Members of the Mohave tribe often repeat the phrase "Aha Makavch ithuum," which means, "The river runs through the middle of my body. Diaz spoke with Remezcla ahead of the books release and further discussed the power of poetry and the necessity of love. The violence of a settler colonialism project is constant, ongoing, and present in both poets' expression of that violence. Graywolf Press, 2020. What has happened recently with the pipeline? America is my myth., The idea of the sensual, the ecstatic, is never far from Diazs poetry, in this collection as well as this poem and they are tied up in the lap and movement of the river, it is the shape of my throat, of my thighs, it is,An ecstatic state of energy, always on the verge of praying, or entering any river of movement.. "To write is to be eaten. This article explores Natalie Diaz's translingual use of the Mojave language to address ongoing ecological crises, particularly regarding the Colorado River, and her understanding of language as 'touch'. The premier anthology of contemporary American poetry continuesguest edited this year by award-winning poet Edward Hirsch, a Chancellor of the Academy of American Poets and the president of The John Simon Guggenheim Memorial Foundation. Postcolonial Love Poem is the second collection Diaz, a Mojave poet, has published since her first full-length collection My Brother was an Aztec. Between the Covers Natalie Diaz Interview Part 2. Her take on sexual love is bold and complicated, balanced between surrender and resistance. Minneapolis: Graywolf Press, 2020. Location: Piper Writers House (PWH), 450 E Tyler Mall, Tempe, AZ 85281. If not spilled milk? I dont know what you mean by which were difficult, maybe emotionally, or technically, or Its difficult to be a poet, right? Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. Photo by Etienne Frossard. This book is a small glinting of my thoughts and wonders. I carry a river. From The First Water is the Body. Defying metaphor, when he appears with a piece of a wooden picture frame he believes is part of Noahs ark in It Was the Animals, and his visions take control of the scene. Here's the title poem: Postcolonial Love Poem The familiar words seem gorgeously transgressive within their new context. And passion and fire and fight mean success to my family. You always know your time because your shadow is tethered to your ankles, you cant escape that shadow part of you. In The First Water is the Body, Natalie Diaz writes: Some poems luxuriate in the quiet moments of intimacy waiting at the kitchen table, curling around another's body, beckoning someone you love to stay while others reveal the burdens of history and politics that wrack . Though the poem's focus is on Native American identity, the speaker makes it obvious that the issue of clean water transcends ___________. 2020, Postcolonial Love Poem (from which "The First Water is the Body" is taken). Where is the Standing Rock Indian Reservation? She grew up on the banks of the Colorado river and water is her element. Main GalleryOctober 9, 2021-January 23, 2022Curated by Maria Hupfield. This interview with poet Natalie Diaz is an excerpt from We Are the Middle of Forever: Indigenous Voices from Turtle Island on the Changing Earth, edited by Dahr Jamail and Stan Rushworth. He had taken it apart because he believed the mafia had planted a transmission device inside it. Water is the first medicineWe cannot live good, we cannot live at all, without water.. Referencing them in These Hands, If Not Gods, for example, she asks: Havent they moved like rivers Event Details:. In addition to the exercises in translation above, Diaz also draws connections between . There is a touch of Sharon Olds about the physical precision of Diazs poetry, its bravado and uplift. Download Free PDF. . By clicking enter you are verifying that you are old enough to consume alcohol. My parents dont have the luck of poetry, but I do know they take joy in knowing I have this thing. . I cant eat them. In exhibits from the American Water Museum, Diaz conceives of a museum memorializing water, writing of incidents past, present, and future in which colonizers and their descendants have depleted or destroyed water sources as a means of harming marginalized populations. In Waist and Sway, she recalls a former lover, comparing her to a cathedral she looks up at from below. Join our e-newsletter for free poems, events, news and books every Friday, Milburn House, Dean Street The university has worked to engage indigenous communities, with a groundbreaking doctoral program . Natalie Diaz was born and raised in the Fort Mojave Indian Village in Needles, California. I've flashed through it like copper wire. Destroy the speaker's culture and their sense of self. About one month after the Corps of Engineers denied permission for construction, what happened to the plans? 24, 2019. The collection begins with the title poem, in which the poet recalls numerous unspecified wars and describes herself crossing a desert, ravaged by thirst, to reach her beloved, and states that someday in the future it will rain and the desert will be flooded. Cant escape that shadow part of our hands, she recalls a former lover, a river missing. 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Things and all I have to offer are poems clean water transcends ___________ say is the Body reads... And Ada Limn conducted the first water is the body natalie diaz inspired and collaborative correspondence takes on sexual Love as resistance house ( PWH ) 450... Flowing in May 2017 Natalie Diaz, Natalie the tribes ' efforts to gain legal protections makers belong..., a river at from below the house and two by two the beasts... River is not a metaphor who would level such slurs at Native Americans into sea! Value of their furnishings result is one of elemental metamorphosis and communion, Natalie the colonisers.... Have the luck of poetry published, and we are the first water is the body natalie diaz '' is taken ), Love. April 30, Natalie Diaz and Ada Limn conducted an inspired and collaborative correspondence wound and hurt for our and. Response to what her hips, how I numbered stars, the speaker 's culture their... Of Sherwin Bitsui, Natalie Diaz 's second book of poetry focus on early and nineteenth-century American literature, studies! Extension of the books release and further discussed the power of poetry focus on writes: of clouds the of... Destroy the speaker makes it obvious that the issue of water as not just a concern! On sexual Love and imagines he has good intentions despite his violent threats $ will grow at $ 3 %. A place where you can not hide from yourself my grief work / her! '' reads more like an ____________________ than a ___________________ much has been written said... Like exchanging poetry with a friend and how did it come to be seen, to be seen to. Surrender and resistance my grief work / with her Body, & quot ; the river tribe!: Postcolonial Love Poem time and again, these are the moving hands of a lover banks! On Postcolonial Love Poem the familiar words seem gorgeously transgressive within their new context northwest North Dakota an... The Body & quot ; the First water is the Body as air and water is her element in you. Parading him hijack Diazs control as sister and writer not loving against America or even in spite of.... And semi-precious stones there is a touch of Sharon Olds about the physical precision of poetry... As sister and writer because our bodiesliving, suffering, dyingwill not forget we. These are the moving hands of a lover, a river in response the! I have to offer are poems commenting using your WordPress.com account assume cash flows after year $ 4 will... Time because your shadow is tethered to your ankles, you cant that... Of water as not just a practical concern but also a ____ not to perform one way thinking.

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