She has something of an answer as to why Kevin committed such terrors, but where does that leave her? Something just happened. About 5 uses of "fuck" (once used sexually by a 7-year-old child), one use of "cunt". Index | He proves it when he poops himself twice in a row and she breaks his arm in a fit of rage, what he calls, "The most honest thing you ever did to me." An important film that attempts to delve into the psychology behind the high school massacres we seem to read about in the news on a weekly basis. He doesn't have the emotional capacity to have a disturbed son, and so has decided that he doesn't and that's the end of it. The film opens to the sounds of sprinklers tch-tch-ing, before the first shot reveals a half-open patio door whose curtains are wafting with the wind. An unshakeable experience and a daring experiment in film form, Lynne Ramsay's We Need to Talk About Kevin challenged conventional wisdom on what makes for a good adaptation. She is less interested in the nature vs nurture debate, more in the crippling weight of societal expectations of motherhood. Rated R While Eva and Franklin argue over the accident, Kevin taunts his mother by peeling a litchi, with a smug look on his face. One may ask how one of the main instincts of every living thing, the need to reproduce, could be frightful. And the whole thought was just to fight and keep fighting? The brooding tone of the narrative prepares the audience for a devastating ending, but in hindsight, some of you may have seen it coming. You know, it's all fun and games until you really understand that every single decision that you make impacts everybody. But Kevin is just getting started, and his final act will be beyond anything anyone imagined. What feels like a simple story feels so much larger due to the development of every character and the world around them, it almost feels like you know these characters personally and feel for them when something happens, that is a what great movie does. The same 7-year-old also says, "I don't give a rat's ass." Alcohol, Drugs & Smoking Mild 35 of 50 found this mild Adults are sometimes shown casually drinking wine. Although these two terms are often used interchangeably in colloquial use, there are some mild differences between these two categories of personality disorders. The opening shot fades to white, before cutting to a sea of red in the next sequence, foreshadowing the bloodshed to come. If you look one level deeper it's clear that Kevin was deeply and horribly emotionally abused by both of his parents, and in a genuinely loving family he would not have turned out the way he did. Helmed by Scottish filmmaker Lynne Ramsay based on the Orange Prize-winning eponymous 2003 novel by Lionel Shriver, We Need to Talk About Kevin is a jarring, erratic, and sometimes profoundly disturbing 2011 psychological thriller that creates an uncanny place in the viewers mind. The woman sits up in alarm and shakes the MAN. Eva's point of view is obviously not reliable, and her segments are intended to portray that she's entered a cycle of deep self-abuse over having raised a psychopath. The Ending Of We Need To Talk About Kevin Explained. One day, Celia loses one of her eyes from toxic cleaning supplies, and Kevin becomes a prime suspect. Eva rushes to the school to see Kevin getting arrested. for disturbing violence and behavior, some sexuality and language, Berlinale 2023 Highlights, Part Two: Reality, Manodrome, The Adults, Inside, Golda, Angela Bassett, Jamie Lee Curtis, Brendan Fraser, Cate Blanchett, Colin Farrell and Brendan Gleeson Feted at SBIFF 2023, Revisiting Martin Scorsese's Alice Doesn't Live Here Anymore, Tragically Common: Jamie Dack, Lily McInerny and Jonathan Tucker on Palm Trees and Power Lines. ROHAN: Since Jentorra and most of her freedom fighters make it out alive, have you heard anything about coming back for more Quantum Realm adventures down the line? ", As with any book-to-film adaptation, some of the nuances were lost in translation. As a portrait of a deteriorating state of mind, "We Need to Talk About Kevin" is a masterful film. "We Need to Talk About Kevin" leans into that debate, showcasing a resentful mother, a passive father, and a child with an untreated mental illness. In reality, Kevin has an acquired taste for sadistic vengeance, and the lychee symbolizes Celias eye in the scene. David Badash. It discloses its narrative fitfully, in snatches and gobbets that make sense only gradually, like the . But Ramsay is less interested in the blame game, more in how trauma can put us in a vicious cycle of self-inflicted pain. When his father is around, Kevin behaves like a charming and enthusiastic kid. Hosted by Michael Barbaro and Sabrina . Although the act is enhanced through visual obscurity and concealment, we get the idea that Kevin kills a few of his classmates in the locked auditorium. The novel by Lionel Shriver relates the story through a series of letters Eva writes to her husband Franklin. Kevin's insidious nature is best exemplified in a scene staged in the aftermath of Celia losing her eye. We see Kevin as a troubled kid who may need greater care. Mimicking the cyclical nature of trauma, the shot repeats in the climax, where Eva discovers the slain bodies of her husband and daughter. When the child Kevin is sick and nuzzles close to his mother as she reads, his father comes to the door and is rejected in favor of his mother, the look on Evas face is one of wonder and delight. Firstpost - All Rights Reserved. According to medical practitioners, psychopaths are born so, while sociopathy is a result of conditioning in childhood. Kevin is seen at three ages. Indeed, Kevin is a relentless film that gives its audience few opportunities to come up for air from the depths of anguish to which it plummets. However, the story's unflinching refusal to provide answers for who was responsible carries over. I'd be happy to see what they come up with, but, they have more of the understanding of the wildness of the world that they're building. ROHAN: Since Jentorra is the leader of the rebellion, was there anything specificyou tried to channel or watch to get into her headspace? Eva apparently thought her early life was on the right track and tells her screaming baby boy she would frankly rather be back in Paris than changing his diaper. Sometimes Zuzus petals are all you have to hold onto. She is the wrong person in the wrong life with the wrong child. and our ROHAN: Jentorra does have a comics counterpart, did you draw on those stories to inform your backstory or did you work with Peyton to create anew backstory for the film? After this episode, Eva and Kevin seemingly become more affectionate towards each other. Kevins reaction is an indictment of both Eva and audiences expectations and their desire for his complicity in perpetrating the fraud. Going on, she again asks the question of responsibility and says, "I don't know. Crypto We Need to Talk about Kevin in fact needs to be talked about, as what it is attempting to do by marrying the darkest, most nihilistic components of contemporary cinema with a redemptive message is groundbreaking. His final act of brutality a school massacre in addition to murdering his father and sister destroys any semblance of normalcy for Eva. To rate, slide your finger across the stars from left to right. His attitude towards his son is warmer, but underneath there's no more depth than there is with Eva. Don't use this space to complain about the average rating, chart position, genre voting, others' reviews or ratings, or errors on the page. ROHAN: You have a few scenes with Kathryn Newton, who is playing Cassie, in the film. It'd be so much fun. Top Films of the 2010s as voted for by RYM (2021/Final edition), NEW TOURNAMENT: [PPE] RYM Picks the Most Outstanding Acting Performances in Cinematic History, Top Films of the 2010s as voted for by RYM (2020 edition), Top Films of the 2010s as voted for by RYM (2019 edition), Dark/Sinister films that have upbeat music during the credits, Top Films of the 2010s as voted for by RYM (2018 edition), RYM's Preferred Female Performances: 2011, Top Films of the 2010s as voted for by RYM (2017 edition), United Kingdom, United States, 35mm, Color, Dolby Stereo, Literary Adaptation, Artificial Eye, Code Red, Oscilloscope Pictures. Of course, that mental illness is presumed by viewers. Likewise, don't respond to trollish comments; just report them and ignore them. Rather, Ramsay's film is an extended treatment of the optics of grief and guilt. It's a cyclical pattern, making it impossible to hold just one person accountable for everything. Business, Economics, and Finance. KATY: I kind of saw Jentorra as someone who was already part of a warrior society, so maybe she was used to fighting already, but in kind of a way different level. Little matters like washing blood red paint off the windows of her diminished home that angry residents have vandalized, become rituals of self-abnegation and penance. The real monster is expecting nothing less than unconditional love. Did they create a monster, or was he born that way? We Need to Talk About Kevin is a 2003 novel by Lionel Shriver. Kevin eats the lychee with a degree of grossness, and when his mother says that he never liked lychee as a fruit, Kevin has to say that it is an acquired taste. The comedy had to come elsewhere there. Stripes provide Kevins character a continuity while shedding light upon his individuality. She lives with the guilt of what her son did, on top of the guilt of knowing she did nothing about the various warning signs. For Kevin, maternal love and attention have become completely conflated with disgust and fear. Watch Indie Spirit Stars Suggest Indie Gems You Must Watch Right Now. The real monster is expecting nothing less than unconditional love. Is her husband as zoned out as he seems or is that only her perception? Helmed by Scottish filmmaker Lynne Ramsay based on the Orange Prize-winning eponymous 2003 novel by Lionel Shriver, 'We Need to Talk About Kevin' is a jarring, erratic, and sometimes profoundly disturbing 2011 psychological thriller that creates an uncanny place in the viewer's mind. Yet it is in those infrequent instances of relief, conversion and mercy that the film finds its identity and direction. KatyO'Brian (Agents of S.H.I.E.L.D. Eva finally asks why he did it. Eva Khatchadourian, a former travelogue writer, lives in a rundown shack in an American suburb and goes to meet her son. 15.7M subscribers We Need To Talk About Kevin #1 Clip - Tilda Swinton Movie (2011) HD Subscribe to TRAILERS: http://bit.ly/sxaw6h The mother of a teenage boy who went on a high-school killing. KATY: Yeah, I mean, a lot of it would be drawn from movies, essentially. Indeed, Kevin is a relentless film that gives its audience few opportunities to come up for air from the depths of anguish to which it plummets. His willful misbehaviors continue as his mother becomes more estranged from him. So, that part I kind of liked because it shows, okay, this is what someone who's still fighting, interacting with someone who kind of essentially gave in. This is the fear of parenthood. How difficult was it to play the straight woman when everyone around you gets to be fairly silly in the early scenes? Is it possible for her to move on from something so traumatic? To express concern over a child's habitual malice is coded as monstrous. All of the performances are secondary to an urgently compelling narrative that is both agonizing to witness and impossible to look away from. We see it perfectly after he blinds Celia - Eva attempts to confront him about what he's done, and he sits chewing a water chestnut to impress the image of plucking out an eye on Eva, just to watch the horror on her face. Alec Baldwin has been charged in the southwest state of New Mexico for manslaughter and faces an 18-month prison sentence, as does the film's armourer Hannah Gutierrez-Reed. He answers, I used to think I knew why, and now Im not so sure. This small act of hesitant humility is followed by Kevins embrace of his mother which can only be likened to the embrace received by that infamous scriptural progeny upon his arrival home. This is also true of Eva, but we see the conflict in her about her son's mental state. Nature refers to how they were born, while nurture refers to how they were raised. You couldnt have possibly thought that seeing someone eat lychee would be so distressing, but Ezra Miller makes it happen. describes the "nature vs. nurture" debate. Also, stripes are a striking feature that connects Kevins clothing sense from childhood to adolescence. For example, sociopaths are more erratic, and they dont make drastic decisions such as Kevins. Her emotional state doesnt change even when Kevin is born. The film shifts almost all of its attention to the mother of the disturbed Kevin, Eva (Swinton). edition that "We Need to Talk About Kevin" asks an explicit question, "Yet I hope that this question is no more resolved in the book than crude oppositions like 'nature vs. nurture' are ever reconciled in real life.". The kind of clothes one chooses is also indicative of ones social status. It is a world where any attempts to offer a message of mercy, conversion and redemption must be done deftly and authentically, because at the end of the day, sometimes the community won't rally around you and more often than not Mr. Potter carries the day. From the beginning, Eva is detached from motherhood. Use the boards for extended discussion. Some of the content presented on our sites has been provided by fans, other unofficial websites or online news sources, and is the sole responsibility of the source from which it was obtained. It must be something like this to have a nervous breakdown. Now, mommy wakes up every morning and wishes she was in France! Kevin's mother struggles to love her strange child, despite the increasingly dangerous things he says and does as he grows up. Kevin is a story of hope for a new millennium, an Its a Wonderful Life in the age of school shootings and planes crashing into buildings a world-weary world that has been bombarded by nihilistic themes in their narratives for the better part of a century. Eva has spent the events of the film in deep introspection, coming to terms with the fact that she was an abusive mother, and at least some of what happened grew out of that. Fr. Eva goes into postpartum depression, and her menacing and antisocial kid Kevin only aggravates her ailment. Ramsay builds on Shriver's idea of internalised blame with how Eva sees herself following the tragedy. That's the underlying message of We Need to Talk about Kevin, Lynne Ramsey's remarkable allegory on the transcendent nature of relationships. ANT-MAN AND THE WASP: QUANTUMANIA Star Katy O'Brian On Deleted Bill Murray Scene, Backstory & More (Exclusive). These people live there, but they've never moved in. Therefore, the sense of clothing provides a link between the otherwise antagonistic mother and son. A prolific writer and the ostensible head of a travel agency, Eva cares more about her own unfulfilled wishes than her ever-menacing son. Stripping the screenplay off words, the disturbance arises from a seamless amalgamation of image and sound. We had a lot more time to prepare for the character, had a lot more time to delve into the script and the role wasn't just like, you know, here's four pages, learn it by tonight, you know? However it wasn't in the film I watched today and I can't find the scene anywhere..did I just imagine this scene?! Also read:Author Lionel Shriver on her early writing, politics, essential reading list and persevering out of 'sheer spite'. It was a really short moment, and then yeah, I would have loved to have had some interaction with Janet, but that wasn't even in there. The kid was screaming nonstop from the go, as infant. Who's there when Kevin gets sick? Eva can only play at being mommy, and so when Kevin refuses her attempts to breastfeed and is only appeased by the presence of his affable father, played by John C. Reilly, her whole world crashes down around her and her value as a person comes into question. The past and present intertwine as Eva recalls Kevins formative years from childhood to adolescence, hoping for clues on what went wrong. Following the release of Ant-Man and the Wasp: Quantumania, we caught up with actress Katy O'Brian to talk about her MCU debut as Jentorra, deleted scenes with Bill Murray, and a whole lot more! Through association and contextualization, it becomes evident that Kevin killed his father and sister with the new and powerful bow and arrow that he received as a Christmas present from his father. Maternal ambivalence turns into filial antagonism, colouring her perception of him as inherently evil. The film primarily shows you the pathos of evil by painting a portrait of a deeply and violently disturbed young man from his mother's point of view, and you watch how this relationship built and how that pathos developed. So what about Franklin? Matters worsen when she becomes pregnant with a daughter. Ambivalent toward motherhood, Eva struggles to care about her increasingly cruel son, Kevin (Ezra Miller). The film follows the relationship between a mother and son, Eva (Tilda Swinton) and Kevin (played as a teenager by Ezra Miller and as a child by Jasper Newell) through a pastiche of sequences spanning the course of Kevins first eighteen years. Eva always wanted a daughter, and as her attention moves from Kevin, he becomes more and more begrudging towards his sister. Franklin does not and cannot understand Kevin, and completely resists any opportunity to do so. Release Calendar Top 250 Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Movie News India Movie Spotlight. Where do you think Jentorra's story goes next? Based on Lionel Shriver's 2003 bestseller of the same name, Lynne Ramsay's 2011 film explores a broken family, mental illness, and the aftermath of a tragedy. By provoking her, Kevin is able to get some precious emotional honesty out of her. But it's also pretty surface level. The film moves without any pattern between past, present and who knows when. For those of us in the northern hemisphere, we have officially entered the dead of winter that time after Christmas and New Years when, Earlier this year my home parish welcomed a new associate pastor. Instead, it's a personal story about a family or more specifically, a mother (an excellent Swinton) and her troubled son. We Need to Talk About Kevin is already playing in NYC; it opens today in LA, Chicago, Houston and Phoenix and is rolling out nationwide. Contact | Plus, she also touches on a potentially big deleted scene that would've seen her cross paths with Krylar (Bill Murray) and teases possible beef with Janet van Dyne (Michelle Pfeiffer). I mean, there's no room for the leader of the rebellion to give up. The colour red is a recurring motif in the film. She makes one feel her strung to the breaking point tension in scene after scene. As a baby and toddler, he is merely colicky, irritating and would try the patience of a saint. The flaws of this largely overwrought story belong not so much to Ramsay as filmmaker as to Shriver's source novel. So to sum up, Eva systematically deprived Kevin of maternal love, then trained him to accept disgust and fear in its place. Go do something. Left to pick up the pieces is his mother, Eva (Tilda Swinton). So, what did that exchange mean for the Khatchadourians? Don't post randomness/off-topic comments. Not sure I get the fuss about this one. Most of the film in present time shows the ritual abuse and humiliation the bereft Eva suffers from the community that she continues to live in after Kevin's deeds. You've got Braveheart, which it kind of has a similar feeling to. KATY: Yeah, I was so jealous, because I really loved it. For full Oscars coverage and commentary by its reviewer, Fr. Directed by Lynne Ramsey Keep your comments focused on the film. Or did Kevin turned this way because she messed him up from the very birth. So, me, I'm surrounded by comedy, and I have to bring the reality of what's going on. Secretary of Transportation Pete Buttigieg's response to Donald Trump's refusal to accept any responsibility for the impact his massive deregulations have had went viral on Thursday as video of him encouraging the ex-president to support the Biden administration's efforts went viral. We Need to Talk About Kevin 2011 | Maturity rating: 15 | 1h 52m | Independent Films When her 15-year-old son's cruel streak erupts into violence, his mother wonders how much blame she deserves for his actions. Is Kevin a sociopath or a psychopath, then? The movie we see is her collecting every horrible interaction she ever had with her son and putting it under the umbrella of "things I did," because the only way she can cope with the insanity of what her son did is by fitting it to a narrative where she's responsible. Kevin grows a liking for the fictional character of Robin Hood, and his father gifts him a bow and arrow. He is pursuing a Licentiate in Sacred Theology at Heythrop College in London. KATY: Yeah, I mean, this obviously had the difference between TV and movie. Franklin and Kevin have no special connections like that, and Franklin appropriates Eva's so that he can have something manly to do with his son. 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